Outlining the possible causes for increased subtitle use, and making “best practice” recommendations.
by Jon Greasley CAS
Mixers reveal memorable interactions with clients—for better or worse.
by Adam Howell CAS
How sound can telegraph story elements without dialogue or extensive visual cues.
by CAS Associate Sam Casas
A 10-year anniversary retrospective of the production challenges on the feature SOLD, where some foresight saved the show in post.
by Paul James Zahnley CAS
Transitioning from a sit-down to a standup mixing cart.
by Michael Wynne CAS
Is it possible to overdo it in terms of the gear and plugins we collect to do our work?
by CAS Associate Gregory C. Vilfranc MPSE
by Peter Kurland CAS
by Matt Foglia CAS
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