Board of Directors
Mark Ulano has been recording sound for film since 1976. He has over 130 film and television credits as a Production Sound Mixer. Mark is President of the Cinema Audio Society, President of IATSE Local 695, and sits the Sound Branch Executive Committee of the Academy of Motion Pictures Arts and Sciences. He has frequently been a guest speaker and author, promoting the advancement of creative sound work in the service of storytelling in cinema and television. His work on TITANIC won him an Academy Award for Sound Mixing as well as the Cinema Audio Society Award for Best Sound Mixing for a Feature Film. He was nominated for an Oscar for his work on INGLORIOUS BASTERDS. He has 3 other CAS nominations, for HATEFUL EIGHT, IRON MAN, and SUPER 8. He has also received three British Academy (BAFTA) nominations, for KILL BILL, TITANIC, and DJANGO UNCHAINED.
CAS Vice President
Phillip Palmer was born in Dallas, TX and graduated from Southern Methodist University with a degree in Film and Television Production. Starting his sound career in music and touring production he migrated early to production sound recording. After many years as boom operator and sound utility, Phil began his mixing career in 1999. He has had the pleasure of working with many great filmmakers and continues his pursuit of excellence today. Phil first served on the Board of Directors in 2010 and is currently the Vice President of the CAS.
DAVID J. BONDELEVITCH
David has been Secretary of the CAS since 2010 and was Vice President from 2005-2009. He is also Past President of the MPSE. David is currently an Associate Professor of Music at CU Denver. He won a Primetime Emmy for The Hunley and a Heartland Emmy as Associate Producer on the documentary Above the Ashes. He also won two MPSE Golden Reel Awards and has been nominated twenty-six times. David holds a B.S. in Art and Design from MIT and a B. Music from the Berklee College of Music. He also holds an MFA in Cinema Production from USC.
PETER R DAMSKI
Peter Damski, CAS is currently serving as your Treasurer. He has been a member of the CAS Board for over ten years and has also served as Secretary for four years and as co-editor of the CAS Journal/Quarterly for ten years. Damski spent most of his mixing career as a production mixer for multi-camera sit-com’s. Damski is a seven-time Prime-Time Emmy nominee and has won twice for his work on Mad About You. He is now teaching Sound Design at the Savannah College of Art and Design in Savannah, GA.
WILLIE D. BURTON
With over 35 years of sound mixing under his belt, Burton was first nominated for an Oscar in 1978 for THE BUDDY HOLLY STORY”. In 1983 he won the BAFTA (British Academy Film and Television Award) for WAR GAMES”. He received an Oscar for Best Sound in 1989 for the film, BIRD”. In 2005 he received The Cinema Audio Society Career Achievement Award. Burton has also received Academy Award nominations for WAR GAMES”, ALTERED STATES”, THE SHAWSHANK REDEMPTION”, THE GREEN MILE” and DREAMGIRLS”. He won an Academy Award for Outstanding Sound Mixing for his work on DREAMGIRLS in 2005.
PETER J. DEVLIN
Peter Devlin has assembled an eclectic body of work as a Production Mixer. Originally from Belfast, Northern Ireland, Devlin came to the United States in 1987 after having worked for the Audio Department at BBC Northern Ireland. He has worked with a varied group of filmmakers throughout his career, including Kenneth Branagh, Oliver Stone, and Ron Howard. He is delighted to be on the board of the CAS, and looks forward as the organization continues to grow and support the CAS community.
In a career that spans more than 40 years, Newman has been the Production Sound Mixer on more than 85 feature films and garnered eight Oscar® nominations with three wins for The English Patient, Amadeus and The Exorcist. Newman was honored in 2013 with the CAS Career Achievement Award. He also won a CAS Award for Outstanding Sound Mixing for The English Patient and has BAFTA wins for Fame and Amadeus. Prior to working on feature films Chris spent a decade working on documentaries including working for Ted Yates’s NBC unit in Southeast Asia in 1966. Having taught sound and filmmaking in Europe, Brazil, Mexico, and at NYU and Columbia University, Chris currently teaches both sound and production at The School of Visual Arts in New York.
Since 1984, production sound mixer Lee Orloff, CAS has collaborated on well over 50 feature films with directors including: Gore Verbinski; Michael Mann; James Cameron; Ridley Scott; Walter Hill; and Dean Parisot. Orloff has been nominated for six Academy Awards, four BAFTAs and won each for his work on Terminator 2: Judgment Day. Orloff has also been nominated for six CAS. Awards, and serves on the AMPAS Sound Branch Executive Committee and as a member of the CAS Board of Directors. Orloff recently completed production on James Gunn’s Guardians of the Galaxy 2 for Marvel/Disney in June, 2016.
Los Angeles-based Production Sound Mixer Lisa Piñero began her career recording sound for documentaries and has worked in commercials, television and feature films. She has enjoyed opportunities collaborating with many talented filmmakers including David Ayer, Danny Boyle, John Hillcoat, Spike Lee, Oren Moverman, Jonathon Dayton and Valerie Faris. Recent projects include Suicide Squad, Battle of the Sexes, Steve Jobs and Fury.
Glen Trew is a Production Sound Mixer, beginning in Television in 1976. A member of IATSE Hollywood Local 695 and a native of Nashville, Tennessee, he is also the president of Trew Audio (a US and Canadian leader in sales, rental, and service of film and video sound equipment), the president of Remote Audio (a manufacturer of specialty audio products for film and video), and the publisher of Sound & Picture magazine. He is still active in production, currently mixing the network drama “Nashville”.
Jeff Wexler, CAS, is in his 46th year working in sound for motion pictures and television. Having completed over 80 feature films, twice nominated for Academy Award, won a BAFTA for Cameron Crowe’s “Almost Famous”. Received the highest honor from CAS, the CAS Career Achievement Award in 2011. Pioneered the introduction of digital production recording with DAT, and then the first ever file-based production recording with the original Zaxcom Deva I. Jeff continues working and participating in the industry, guest lecturing and moderating workshops and panel discussions, created and moderates the long running online community site JWSOUNDGROUP.
Bob is a re-recording mixer and sound designer working in television and documentary film for more than twenty years. In addition to mixing twelve seasons of Deadliest Catch, his credits include ABC’s The Family, Ax Men, Storage Wars, The Colony, 1000 Ways to Die, American Masters: Carol Burnette & Bob Newhart and the feature documentary The Wrecking Crew. He’s received twelve Primetime Emmy nominations with two wins in addition to four CAS award wins and two MPSE Golden Reels. He’s served many terms on the Sound Peer Group executive committee and the Board of Directors for the Cinema Audio Society.
Tom Fleischman began mixing feature films under the tutelage of New York rerecording mixer Richard (Dick) Vorisek in 1979. In 1981 Tom and Dick were nominated for an Academy Award for Best Sound for their work on Warren Beatty’s Reds. Since then Tom has mixed nearly 200 features, documentaries, commercials, and television projects. He has developed long-term working relationships with many directors, earned 4 more Academy Award nominations for Jonathan Demme’s The Silence of the Lambs (1991), Martin Scorsese’s Gangs Of New York (2002), The Aviator (2004), and won for Hugo (2012). In television, Tom has won 5 Emmy Awards, 5 CAS Awards, and a BAFTA Award for sound mixing. Tom has been mixing on Stage B at Soundtrack Film and Television in New York since 2004.
Marti D. Humphrey CAS has been a Re-Recording Mixer for the last 38 years. He is a former Secretary of The Cinema Audio Society for 2 terms and a CAS Board Member for 10 years. He is the President of “The Dub Stage” where he built the first Immersive Dub Stage with all 4 Immersive Formats, Dolby Atmos, IMAX 12.0/6.0, DTS X and Auro-3D 11.1. and has been mixing “In the Box” since 2002. With his passion for Sound he has invested his life working towards making people aware of the capabilities that sound possesses in the art of storytelling. Marti looks forward to the opportunity to once again be on the Board of Directors of the CAS.
Doc Kane has been a Sound Mixer at the Walt Disney Studios for over 30 years. He has been responsible for the Original Dialogue Recordings of the Disney Studios. Animated Motion Pictures including “Beauty and the Beast,” “Aladdin,” “The Lion King,” “Wreck-it-Ralph,” “Frozen,” and soon to be released, “Wreck it Ralph 2.” Doc has also been responsible for the Original Dialogue Recordings of many Pixar Animation Studios Feature Films from “Toy Story” to last summer’s release of “Cars 3” and the upcoming “Incredibles 2.” Along with the Original Dialogue Recordings for Animation, Doc is also an ADR Mixer for Television Shows and Feature Films. He has credits on over 350 motion pictures. He has been nominated for four Academy Awards. Doc received a Golden Reel Award for “The Iron Giant” and has been nominated for six CAS Awards. He is a member of AMPAS and the Cinema Audio Society. At the 52nd CAS Awards Presentation Doc was proudly honored with the Cinema Audio Society’s Career Achievement Award.
Sherry Klein is a Re-Recording Mixer for Television/ Film and currently with Smart Post Sound in Burbank, CA. She first became “aware” of audio while studying Arranging and Composition at Berklee in Boston. While recording a term project in what was then a little 2 track studio, she became fascinated with the world of sound…. this led her from musician, to live sound, Record Engineering and finally into Post Mixing. She considers herself very lucky to be working within this talented community of people who have continually inspired her to refine my craft and grow my love of mixing.
Karol Urban CAS, MPSE, NATAS is a re-recording mixer for television and feature films. While mainly focused on dialog and music, her path has afforded her the benefit of also mixing sfx and single mixer productions. After focusing principally on documentaries in Washington DC, she moved to LA where she found true joy mixing scripted productions. She joined CAS in 2008 and began contributing articles for the CAS Quarterly. In 2014, she became the Co-Editor and was elected to the Board of Directors.Karol also co-organizes for the LA Sound Group and volunteers for the TV Academy.
Steve Venezia, CAS is an independent sound engineer working in both production and post-production. Early in his career he worked for 16 years in both live music production and studio recording; working with numerus artists including Frank Zappa, The Pretenders, Dire Straits, Chaka Khan, INXS, Howard Jones and Tom Waits. He has worked with ABC and AMPAS on the audio production for the past 16 Oscar broadcasts. Most recently he was Sr. Director of Worldwide Production and Post-Production Services at Dolby where he worked for over 20 years covering sound mixing and advancements in audio technologies. During his tenure at Dolby, he worked closely with the Advanced Television Systems Committee (ATSC) on the audio standards for digital television, and the launch of 5.1 digital surround sound. More recently, he worked on the development of Dolby Atmos for cinema and broadcast. He is a member of CAS, AMPAS, SMPTE, and the Television Academy; where he currently serves as Second Vice-Chair. He also currently serves on the Board of Directors of the Cinema Audio Society. He holds 2 patents for digital audio processing covering loudness measurement and digital audio processing.
Mathew Waters is a 3 time Emmy winner as a Re-Recording Mixer. He has won a Golden reel as a Sound Supervisor. He has been working as a Re-Recording Mixer for 20 years in Film and Television. He has been in Post Production sound for 28 years. He has worked as an Assistant, Transfer person, Sound Designer, Sound Supervisor, and Re-Recording Mixer.